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The wait is over: Ableton Live 12.1 is officially here, and it’s packed with powerful new features and improvements. Best of all? It’s free for all Live 12 users, including Live Lite. Whether you’re a casual beatmaker or a pro producer, this update makes it easier than ever to create, tweak, and experiment with your music.
Auto Shift: Real-Time Pitch Perfection
Leading the new features is Auto Shift, a real-time pitch correction tool built directly into Live 12.1. Now you can tune vocals on the fly, create harmonies from monophonic signals with MIDI sidechaining, and even add modulation or vibrato using MPE (MIDI Polyphonic Expression). Auto Shift goes beyond typical pitch correction, giving users a creative tool to morph melodies and explore new textures.
Drum Sampler: Simplifying One-Shot Samples
For beatmakers looking to speed up their workflow, the new Drum Sampler is a game-changing tool. It combines essential sampling controls with built-in effects like 8-bit, time-stretch, ring modulation, and FM synthesis, all in one compact device. You’ll be able to flip and manipulate samples faster than ever—perfect for producers who love to get hands-on with their beats.
The pitch envelope and punch controls provide additional finesse, giving every drum hit the exact feel you want.
Smarter Organization with Auto-Tagging
Managing samples just got a lot easier. Live 12.1 introduces auto-tagging for every sample under 60 seconds, automatically categorizing your library so you can find what you need without breaking your creative flow. Plus, VST3 plugins now include metadata-based tags, streamlining your workflow even further. Whether you’re on a deep dive into your sound library or just grabbing a quick sample, searching is faster and smarter.
Find out what else is new in Live 12.1
Enhanced Saturator, Limiter, and MIDI Tools
Live 12.1 brings serious upgrades to two core devices: Limiter and Saturator.
- Limiter now includes Mid/Side routing, True Peak, Soft Clip, and Maximize modes, offering more control and reduced distortion.
- Saturator gets a Bass Shaper curve for smoother low-end processing, along with a simplified UI for quicker adjustments.
The MIDI Editor also gets some love, with new filtering and selection tools for notes based on properties like time, pitch, velocity, and chance. Additionally, MPE-specific tools now offer Glissando and LFO transformations, helping producers design expressive curves across MIDI parameters.
Push 2 & 3 Updates: Hands-On Creativity
For users of Push 2 and Push 3, Live 12.1 delivers a host of new features that bring even more intuitive control. Push now allows you to:
- Create Macro Variations for more detailed sound design.
- Apply instant groove to any MIDI clip with one twist of an encoder on Push 3.
- Save Default Sets and Template Sets directly on Push, letting you organize tracks and scenes more easily.
Auto-tagging from Live 12 also makes its way to the Push 3 standalone unit, while the Push 2 and 3 browsers now come with Live’s enhanced filtering system, giving you faster access to your sounds.
MIDI Tools and Sequencers Packs
Ableton is also rolling out two new Packs designed to supercharge MIDI workflows:
- MIDI Tools by Philip Meyer: A collection of rhythmic and melodic generators that lets users build Euclidean rhythms, stuttering patterns, and unique sequencing stages.
- Sequencers by Ableton: This Pack features creative step sequencing tools that blend hardware-style sequencing with Ableton’s core strengths. Use StepArp to create arpeggios across multiple parameters, or explore evolving polyrhythms with Rhythmic Steps.
Both Packs are available for Live 12.1 Suite or Live 12.1 Standard with Max for Live.
How to Get the Update
The Live 12.1 update is free for all existing Live 12 users and will install automatically the next time you open the software (if auto-update is enabled). If you’ve disabled auto-updates, you can grab it from your Ableton user account and install it manually.
For full details on all the features, improvements, and fixes in this update, check out the release notes on Ableton’s site. (Release notes are only available in English.)
FAQs
What is Auto Shift, and how does it work?
Auto Shift is a real-time pitch correction device that helps you tune notes, create harmonies, and add modulation with tools like MPE or LFOs. It’s perfect for both live performance and studio use.
What’s new with the Limiter and Saturator?
The Limiter now offers advanced modes like Maximize and Mid/Side routing, while the Saturator adds a new Bass Shaper curve for better control over low frequencies.
Can I use the new Packs with Live Lite?
No, the MIDI Tools and Sequencers Packs are only available for users of Live 12.1 Suite or Live 12.1 Standard with Max for Live.
What are the main improvements to Push 3?
Push 3 users now benefit from Macro Variations, groove tools, and auto-tagging. You can also save Default and Template Sets directly on Push, making it easier to organize your projects.
Explore the Future of Music with Live 12.1
Ableton continues to elevate the music production experience, offering tools that empower creators to work faster and smarter. Whether you’re mastering complex beats or jamming with Push, Live 12.1 brings a host of features designed to enhance every part of your process.

Will Vance is a professional music producer who has been involved in the industry for the better part of a decade and has been the managing editor at Magnetic Magazine since mid-2022. In that time period, he has published thousands of articles on music production, industry think pieces and educational articles about the music industry. Over the last decade as a professional music producer, Will Vance has also ran multiple successful and highly respected record labels in the industry, including Where The Heart Is Records as well as having launched a new label with a focus on community through Magnetic Magazine. When not running these labels or producing his own music, Vance is likely writing for other top industry sites like Waves or the Hyperbits Masterclass or working on his upcoming book on mindfulness in music production. On the rare chance he's not thinking about music production, he's probably running a game of Dungeons and Dragons with his friends which he has been the dungeon master for for many years.